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Abstract Inquiry · 2023
Algea – The Pulse of Life
Available · in the studio, Phoenix
Algae — the oldest life, the pulse that was here before everything else. The painting that asks what we inherit and what we become.
Algea (2023) is a painting about emotional inheritance — about pain that transforms, not through avoidance, but through presence. Part of the Transcendence Collection, this 72 x 48 inch mixed media work was named after the Greek spirits of grief and sorrow — the Algea — who were said to accompany war and loss.
The canvas is saturated with deep greens, inky purples, and muted reds — like wounds seen through moss and memory. The surface is textured, almost cellular, as if something biological is blooming from beneath. Gold leaf and metallic glints catch the light, adding moments of sacred reflection to an otherwise shadowed field.
I didn’t intend to paint grief. I intended to understand it. Algea emerged slowly, in layers, through abrasion, revision, and silence. Some marks were buried. Others refused to disappear. In the process, I realized that the painting was less about loss and more about what survives it.
The piece draws subtle kinship with Wangechi Mutu, whose work often fuses organic forms, mythology, and layered surfaces to explore healing and hybridity. Like Mutu, I see the body and emotion as interwoven — never static, always regenerating.
Algea doesn’t wallow. It listens. It carries. It reminds us that sorrow, when acknowledged, can root us more deeply in being.
As part of the Transcendence Collection, this painting holds space for transformation through darkness. It is not an escape. It is an honoring.
Where to see it. In person at RituStudio, Phoenix, by appointment. Represented by Jarrow & Goodman, Los Angeles.
The space it needs
- Wall
- At least 8 ft wide
- Ceiling
- 9 ft or more
- Light
- Natural light preferred — the resin catches it and the color shifts through the day
- Daylight
- Moss and earthy green keep their color in daylight, with the copper warming a degree toward evening. Contrast is low, so keep it out of direct sun, which would wash the parchment tones into the greens.
Lives best in
Living room 5/5
Algea earns a 5 here because its six-foot copper-and-moss horizontal span becomes the room's emotional anchor, shifting from warm ochre to cool bone shadow as daylight moves across the resin-held layers through the day.
Hotel lobby 4/5
At a 4, the muted earth tones and low-saturation palette give a lobby the rare gift of presence without demand, asking arriving guests to slow down rather than perform a reaction.
Details
- Size
- 4 × 6 ft (W × H)
- Medium
- Acrylic on canvas
- Finish
- Epoxy over acrylic. The resin lifts the color off the canvas and holds it forward, so the surface deepens as the light moves across the room.
- Year
- 2023
- Collection
- Abstract Inquiry
- Palette
- Muted Earth · Bone Shadow · Moss · Raw Parchment · Earthy Green · Copper
- Weight
- About 45 lb
- Ready
- In the studio; delivery 8–12 weeks
Its ArtGram
ArtGram.Spur
- Texture2
- Form2
- Colour range2
- Palette3.4
- Contrast2.6
- Abstraction Quotient1


